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For a little background I'll begin by telling you that I have a friend. We'll call her Alex. We'll call her Alex because that's her name. She has a boyfriend that we'll call Kelly. Yes, we're calling him Kelly because that's his name. I don't know exactly when I met Alex, but I'm guessing it was sometime in 2002. We were both working at this silly mailorder maternity clothing store. It was a hateful job. I ended up quitting before Alex, but we've kept in touch. A few weeks ago during an instant message conversation she said something about wanting me to paint a wall in her and Kelly's studio/loft. At least I think she did. She might have asked what it would take for me to paint a wall in their studio. Regardless of what the exact words were, the bottom line was that she wanted a wall painted. Of course, I've heard this before from other people and nothing ever comes of it. It's no biggie. It's just something that comes with the territory. But Alex was serious. This was "on the real" if you know what I mean.
A few days later I found myself in Los Angeles. I wasn't about to miss seeing the Camille Rose Garcia show at the Merry Karnowsky Gallery and I knew that the show would be coming down that weekend. I also made a ritualistic visit to Pearl on La Cienega to buy some supplies. Then some screenprinting equipment at Mc Logan's. And what would be a better time to meet up with Alex and Kelly. I met them at the ever trendy Fred 62, where I once had a Vincent Gallo sighting. They are Gallo fans too, so I knew I was in good company. After eating our fries and whatever else we had I offered them a ride home, which would also give me a chance to check out the wall they wanted painted. Their studio, 655321, is located on Wall St. in downtown LA. If you know Wall St. then you know the sidewalks are crawling with skid row crack whores and the like. That aside, when I first walked into the studio I was instantly envious. To live and work in such a great space would make living on skid row a walk in the park. But in all honesty, the people living on the street are not the least bit threatening. In fact, they are a very indigenous group. Craftsmen, if you will. I have never witnessed such intricate construction of cardboard boxes made into makeshift homes. Complete with living rooms, dining rooms, and personal study areas. Oh, and the wall Alex and Kelly wanted painted was huge. And bright orange. Needless to say, I was looking forward to painting it.
Fast forward two weeks. Well, fast forward to July, 26 to be exact. I strolled into Los Angeles and found myself on Wall St. at the 665231 studio just after 5:00pm. Which meant I could find parking on the street and not have to put money in the meter. Which was always a plus. I called the studio and Kelly came down to let me in. True to form, I was waiting at the wrong door and Kelly saw me down the street. He waved me over and we went upstairs. As it turns out Kelly has more paint than your average Home Depot, so I didn't have to bring any of my own. Of course I brought my own black paint because I'm very picky about that, but everything else is ok by my standards.

in progress. i'm guessing this is day 3.
The wall was painted bright orange before I got there and I thought it would be a good idea to just go with it. Plus, it would save a day considering painting and drying time. Plus, orange is great, so why the hell not? The first thing I did was paint some red shapes in the upper right corner of the wall. I love red, but it sometimes takes several coats to cover. The nice thing about working big like this is that while one thing is drying you can work on something else. I wanted an interesting background with a couple layers to it, so the next thing I added was random purple and light green dots.
After that it was time to paint some faces/characters. When it comes to the faces I paint the black lines pretty fast because I know that i'll go over them again after I fill in the color. So, I would add a few faces here and there and then add the blue squiggly line background. I did a lot of the blue line work while Kelly and Alex were working on a photoshoot with two naked girls. I had to peek over my shoulder a couple times, but was never lucky enough to see very much. Yes, Kelly is an Erotic Photographer and Alex does the hair and make-up on the models. They make a great team and are both very talented. So, faces, blue lines, filling in color and adding a little guy here and there took some time. Working under the stair case was the most difficult part. Other than that it was all smooth sailing. After painting for three days straight I decided to take Thursday night off. Plus, I thought Kelly and Alex would appreciate some "alone time".

For my night off I went down to Hermosa Beach with my friend Kristin to check out an art show at Gallery C that Aaron Kraten had some pieces in. I had never met Aaron before, but I have him featured on my site and thought it would be good to meet the man behind the madness. He hooked me up with a Kraten emblazoned keychain.

The next day I started painting around 1:30pm. At this point it was all "finishing touches". Sounds easy enough, but on a wall this big "finishing touches" can take a couple days. At least it did for me. I was finally ready to call it quits around 9 or 10 on Saturday night.

And that's about it.

I would like to give a big big big thank you to Kelly Lind and Alex LaMarsh for giving me a couch to sleep on and feeding me plenty of good things. Kelly has lived in or around LA his whole life and knows so many good places to eat that I can't even list them all. Thanks so much for your generosity. I hope I didn't cramp your style too much.

- jeff claassen
august 2, 2004



house paint on wall
approx. 12 feet x 12 feet
(but i'm totally guessing. it felt much bigger than that.)


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